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It depicts a dystopian future in which reality as perceived by most humans is actually a simulated reality called "the Matrix", created by sentient machines to subdue the human population, while their bodies' heat and electrical activity are used as an energy source. Cybercriminal and computer programmer Neo learns this truth and is drawn into a rebellion against the machines, which involves other robot icon pop answers level 130 who have been freed from the "dream world.
The Matrix is known for popularizing a visual effect known as " bullet time ", in which the heightened perception of certain characters is represented by allowing the action within a shot to progress in slow-motion while the camera's viewpoint appears to move through the scene at normal speed. The film is an example of the cyberpunk subgenre. Reviewers praised The Matrix for its innovative visual effects, cinematography and entertainment value.
The film has since appeared in lists of the greatest science fiction films[11] [12] [13] and, inwas added to the National Film Registry for preservation. The Matrix franchise was further expanded through the production of comic books, video games and animated short films, in which the Wachowskis were heavily involved, and even inspired books and theories on ideas in religion and philosophy. A woman is cornered by police in an abandoned hotel; after overpowering them with superhuman abilities, a group of sinister superhuman grey green-suited Agents leads the police in a rooftop pursuit.
She answers a ringing robot icon pop answers level 130 telephone and vanishes. Computer programmer Thomas Anderson, living a double life as the hacker " Neo ", feels something is wrong with the world and is puzzled by repeated online encounters with the cryptic phrase "the Matrix".
The woman, Trinitycontacts him, saying that a man named Morpheus can explain its meaning; however, the Agents, led by Agent Smithapprehend Neo and attempt to threaten him into helping them capture the " terrorist " Morpheus.
Undeterred, Robot icon pop answers level 130 meets Morpheus, who offers him a choice between a red pill that will show him the truth about the Matrix, and a blue pill that will return him to his former life. After swallowing the red pill, his reality disintegrates and Neo awakens, naked, weak and hairless, in a liquid-filled pod, one of countless others connected by cables to an elaborate electrical system. Robot icon pop answers level 130 is rescued and brought aboard Morpheus' hovercraft, the Nebuchadnezzar.
As Neo recuperates, Morpheus explains the truth: When humans blocked the machines' access to solar energy, the machines retaliated by harvesting the humans' bioelectric power. The Matrix is a shared simulation of the world, in which the minds of the harvested humans are trapped and pacified.
All free humans live in Zionthe last refuge in the real world. Morpheus and his crew are a group of rebels who hack into the Matrix to "unplug" enslaved humans and recruit them; their understanding of the simulated reality enables them to bend its physical lawsgranting them superhuman abilities. Robot icon pop answers level 130 warns Neo that death within robot icon pop answers level 130 Matrix also kills the physical body, and that the Agents are powerful sentient programs that eliminate threats to the system.
Neo's prowess during virtual combat training lends credence to Morpheus' belief that Neo is "the One", an especially powerful human prophesied to free humans and end the war. The group enters the Matrix to visit the Oraclea prophet who predicted the emergence of the One.
She implies that Neo is not the One and warns Neo that he will have to choose between Morpheus' life and his own. Before they can leave the Matrix, the group is ambushed by Agents and tactical police alerted by Cyphera crew member who betrayed Morpheus to Smith in exchange for a comfortable life back in the Matrix.
Morpheus allows himself to be captured so Neo and the rest of the crew can escape. Cypher exits the Matrix and murders several crew members as they lie defenseless in the real world. As he prepares to disconnect Neo and Trinity, Tanka crewman whom he had left for robot icon pop answers level 130, kills him. In the Matrix, the Agents interrogate Morpheus to learn his access codes to the mainframe computer in Zion. Tank proposes killing Morpheus to prevent this, but Neo, believing that he is not the One, resolves to return to the Matrix to rescue Morpheus; Trinity insists she accompany him.
While rescuing Morpheus, Neo robot icon pop answers level 130 confidence in his abilities, performing feats comparable to the Agents'. Morpheus and Trinity exit the Matrix, but Smith ambushes and kills Neo before he can leave. In the robot icon pop answers level 130 world, machines called Sentinels attack the Nebuchadnezzar. Trinity whispers to Neo that he can't be dead because she loves him and the Oracle told her that she would fall in love with the One.
She kisses Neo and he revives with robot icon pop answers level 130 power to perceive and control the Matrix. Robot icon pop answers level 130 effortlessly defeats Smith and leaves the Matrix just as the ship's electromagnetic pulse weapon disables the attacking Sentinels. Later, Neo makes a telephone call inside the Matrix, promising the machines that he will show their prisoners "a world where anything is possible".
He hangs up and flies into the sky. After Lorenzo di Bonaventurathe president of production of the company at the time, read the script, he decided to buy rights to it and included two more pictures, Bound and The Matrixin the contract.
The first movie The Wachowskis directed, Boundthen robot icon pop answers level 130 a critical success. Using this momentum, the siblings later asked to direct The Matrix. Producer Joel Silver soon joined the project. The actors of the film were required to be able to understand and explain The Matrix. The directors had also been admirers of Hong Kong action cinema for a long time, so they decided to hire the Chinese martial arts choreographer and film director Yuen Woo-ping to work on fight scenes.
To prepare for the wire futhe actors had to train hard for several months. Yuen was optimistic but then began to worry when he realized how unfit the actors were. Yuen let their body style develop and then worked robot icon pop answers level 130 each actor's strength. He built on Reeves' diligence, Fishburne's resilience, Weaving's precision, and Moss's feminine grace. He was still recovering by the time of pre-production, but he insisted on training, so Yuen let him practice punches and lighter moves.
Reeves trained hard and even requested training on days off. However, the surgery still made him unable to kick for two out of four months of training. As a result, Reeves did not kick much in the film. In the film, the code that composes the Matrix itself is frequently represented as downward-flowing green characters. This code uses a custom typeface designed by Simon Whiteley, [31] which includes mirror images of half-width kana characters and Western Latin letters and numerals.
Path of Neoand its drop-down effect is reflected in the design of some posters for the Matrix series. The code received the Runner-up Award in the Jesse Garson Award for In-film typography or opening credit sequence.
The Matrix ' s production designerOwen Patersonused methods to distinguish the "real world" and the Matrix in a pervasive way. The production design team generally placed a bias towards the Matrix code's distinctive green color in scenes set within the simulation, whereas there is an emphasis on the color blue during scenes set in the "real world". In addition, the Matrix scenes' sets were slightly more decayed, monolithic, and grid-like, to convey the cold, logical and artificial nature of that environment.
For the "real world", the actors' hair was less styled, their clothing had more textile content, and the cinematographers used longer lenses to soften the backgrounds and emphasize the actors. The Nebuchadnezzar was designed to have a patched-up look, instead of clean, cold and sterile space ship interior sets as used on films like Star Trek. The wires were made visible to show the ship's working internals, and each composition was carefully designed to convey the ship as "a marriage between Man and Machine".
During the testing of a breathing mechanism in the pod, the tester suffered hypothermia in under eight minutes, so the pod had to be heated. Kym Barrettcostume designer, said that she defined the characters and their environment by their costume.
The actors needed to perform martial art actions in their costume, hang upside-down without people seeing up their clothing, and be able to work the wires while strapped into the harnesses. The sunglasses, a staple to the film's aesthetics, were commissioned for the film by designer Richard Walker from sunglass maker Blinde Design. All but a few scenes were filmed at Fox Studios in Robot icon pop answers level 130, and in the city itself, although recognizable landmarks were not included in order to maintain the impression of a generic American city.
The robot icon pop answers level 130 helped establish New South Robot icon pop answers level 130 as a major film production center. Due to Reeves' neck injury, some of the action scenes had to be rescheduled to wait for his full recovery. As a result, the filming began with scenes that did not require much physical exertion, [39] such as the scene in Thomas Anderson's office, the interrogation room, [28] or the car ride in which Neo is taken to see the Oracle.
Moss performed the shots featuring Trinity at the beginning of the film and all the wire stunts herself. She stated that she was under a lot of pressure at the time and was devastated when she realized that she would be unable to do it. The dojo set was built well before the actual filming. During the filming of these action sequences, there was significant physical contact between the actors, earning them bruises.
Because of Reeves's injury and his insufficient training with wires prior to the filming, he was unable to perform the triple kicks satisfactorily and became frustrated with himself, causing the scene to be postponed. The scene was shot successfully a few days later, with Reeves using only three takes. Yuen altered the choreography and made the actors pull their punches in the last sequence of the scene, creating a training feel. The filmmakers originally planned to shoot the subway scene in an actual subway station, but the complexity of the fight and related wire work required shooting the scene on a set.
The set was built around an existing train storage facility, which had real train tracks. Filming the scene when Neo slammed Smith into the ceiling, Chad StahelskiReeves' stunt double, sustained several injuries, including broken ribs, knees, and a robot icon pop answers level 130 shoulder. Another stuntman was injured by a hydraulic puller during a shot where Neo was slammed into a booth. The helicopter was a full-scale light-weight mock-up suspended by a wire rope operated a tilting mechanism mounted to the studio roofbeams.
The helicopter had side mounted to it a real minigun, which was set to cycle at half normal full rounds per min firing rate. The visual effect of the helicopters rotating blades was effected by using strobe lighting.
To prepare for the scene in which Neo wakes up in a pod, Reeves lost 15 pounds and shaved his whole body to give Neo an emaciated look. The scene in which Neo fell into the sewer system concluded the principal photography. As for artistic inspiration for bullet time, I would credit Otomo Katsuhirowho co-wrote and directed Akirawhich definitely blew me away, along with director Michel Gondry. His music videos experimented with a different type of technique called view-morphing and it was just part of the beginning of uncovering the creative approaches toward using still cameras for special effects.
Our technique was significantly different because we built it to move around objects that were themselves in motion, and we were also able to create slow-motion events that 'virtual cameras' could move around — rather than the static action in Gondry's music videos with limited camera moves.
The film is known for popularizing a visual effect [52] known as " bullet time ", which allows a shot to progress in slow-motion while the camera appears to robot icon pop answers level 130 through the scene at normal speed.
When John Gaeta read the script, he pleaded with an effects robot icon pop answers level 130 at Manex Visual Effects to let him work on the project, and created a prototype that led to him becoming the film's visual effects supervisor. The method used for creating these effects involved a technically expanded version of an old art photography technique known as time-slice photography, in which an array of cameras are placed around an object and triggered simultaneously.
Each camera is a still-picture camera not a motion picture camera, and it contributes just one frame to the video sequence. When those pictures are shown in sequence, they create the effect of "virtual camera movement"; the illusion of a viewpoint moving around an object that appears frozen in time.
The bullet time effect is similar but slightly more complicated, incorporating temporal motion so that rather than appearing totally frozen, the scene progresses robot icon pop answers level 130 slow and variable motion. Instead of firing the cameras simultaneously, the visual effect team fired the cameras fractions of a second after each other, so that each camera could capture the action as it progressed, creating a super slow-motion effect. Because the cameras circle the subject almost completely in most of the sequences, computer technology was used to edit out the cameras that appeared in the background on the other side.
The photo-realistic surroundings generated by this method were incorporated into the bullet time scene, [56] and linear interpolation filled in any gaps of the still images to produce a fluent dynamic motion; [57] the computer-generated "lead in" and "lead out" slides were filled in between frames in sequence to get an illusion of orbiting the scene.
Manex also handled creature effects, such as Sentinels and machines in real world scenes; Animal Logic created the code hallway and the exploding Agent at the end of the film. DFilm managed scenes that required robot icon pop answers level 130 use of digital compositing, such as Neo's jump off a skyscraper and the helicopter crash into a building.
