Solutions in Action

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Marina, could you give our readers some background informations on you: I am a filmmaker and visual artist born and based in Athens. My lucky penny shop maker bot interview questions degree was in Chemical Engineering, which I studied but never practiced after moving to London and studying film a few years later. I make films and media art installations. My latest piece and current research is in sleep science. I am also a dj, or more of a music selector, for the past 18 years, which is something that has influenced the way the way I edit, which always lucky penny shop maker bot interview questions to the films I make.

He is one of my favorite photographers, actually. I love the way he observes people and landscape. He comes from a family of artists from Lebanon that moved to Greece during the war in the 80s. He speaks five languages and fits in any place you put him. Lucky penny shop maker bot interview questions is also based in Athens.

I met Alan through music, in Athens actually in A year later I met him at a festival in Belgium where I was living at the time. He told me that he had moved to Cairo and was working with young Egyptian musicians who were translating some of his old lyrics into Arabic. I was intrigued and spontaneously asked if I could come to Cairo and document the project. He was immediately positive, to my surprise. The idea kept swiveling in my mind for a few weeks. I talked to Georges about it and he was also convinced straightaway.

So we booked our flights to Cairo at the time when the band was recording their first album, that coincided with the first democratic elections in the country after the uprisings.

It was simple as that, but later of course it proved a giant leap of faith and, as in most documentaries, a journey into the unknown that lasted five years.

How does one has to imagine the artistic working process with such a political topic in Egypt at that time? Would it be possible under the current circumstances? By it became an utterly insane endeavor due to the political situation in the country, which was steadily aggravating. Especially for foreigners carrying cameras. We could never afford a fixer or any form of security when we were there, our families were very worried and it became clear that we had to stop.

What do we do with this material? We were never interested in making a typical music documentary about Alan —he would never have agreed anyway and we are not exactly documentary makers. Neither did we plan to make a political film. Lucky penny shop maker bot interview questions, at the time Greece offered us more political subject matter without spending a penny, if this had been our intention.

It just happened that we were there with these people in historical times, and we experienced with them the aftermath of the so —called Arab Spring, what more and more looks like a political defeat.

Our protagonists where active in the revolution, half of them were in a band that played in Tahrir during the 18 days, Eskenderella. At the point that we met them, all they wanted was to retreat to their privacy and play music, which comes naturally if you feel that you cannot effect change by being in the streets anymore.

We were observing what was going on in the country, from inside their artistic bubble that was being permeated all the time. They were trying to rehearse, to set up a concert, to function in general and they were witnessing endless stumbling blocks and obstacles. In the Arabic language there is a word for this particular feeling of depression.

One of the characters is trying to translate it in English in the film but proves untranslatable…. How did people there and in general react to this hi coded artistic idea?

This almost felt like an alchemy, considering how old the songs were. But lucky penny shop maker bot interview questions was the story four, five years ago. Right now the Cairo scene has opened up to various influences and experimentation.

But I owe a lot to various stimuli and other forms of art and especially music, which as an art I am tending to respect more. In this case, I guess inspiration came from the story of the band, the people that we met and the city in which it was unfolding, which became a sort of a character in the film. The film is in effect is a thickly layered, psychedelic collage of interrelated themes and stories lucky penny shop maker bot interview questions we are navigated through the story of the Invisible Hands.

There was also a very conscious decision that this film is going to be a narrative, although we both come from experimental areas of film and the visual arts. There was an urgency to speak loud and clear about what we experienced in Cairo and Athens and not experiment with form or do something obscure.

Alan himself was doing his most accessible project in Cairo, why should we mess this up in our film? I think though, that a narrative film with someone from the Sun City Girls in it, is an experiment by itself, if not an act of subversion. What is it you are looking for in documentaries? I like being offered questions that I take home when the film finishes. Usually I am offered answers, information I can find on the internet and dogma trying to be shoved down my throat.

There are of course many refreshing and inspiring exceptions that make documentary one of the most exciting film practices nowadays. Could you give us some insights in the filming process with Alan Bishop? Was this always a smooth process or did it also come to artistic discussion between you, was he for example also deeply involved in the process of selecting the material and the final cut?

Alan, Aya, Cherif and Adham trusted us and allowed us almost unlimited access to their lives. For this access, we were morally responsible not to misrepresent them. This film was shot in Cairo but is built around intense and inspiring dialogue between Cairo, Athens and Seattle.

All the characters were involved, but Alan was involved the most, as he was the catalyst that brought lucky penny shop maker bot interview questions of us together in what looks like a global network. I must have exchanged around 1. It would be a folly lucky penny shop maker bot interview questions to ask or get his advice when this was offered to me.

We were all, including the band, very lucky to be around him. I can personally admit that his humor helped me deal with my depression and disillusionment and his defiance taught me to never give up. Which was much needed all the way in this film. However, all the people involved helped it take the lucky penny shop maker bot interview questions it has, and it shows, I think. Not only we became close friends, we all became part of the same project.

Both Documenta and Berlinale present a film and a concert. To come to the end of the interview. I consider our time in Cairo maybe the best time of my life. Maybe Georges also feels the same. The lucky penny shop maker bot interview questions is filled with extraordinary and intense moments in this magical city.

Do you believe in magic? Both directors and cast, we were all going through tough situations from a political, personal and economic standpoint. We reached so many times the abyss that I can hardly count. The film was first shown at Documenta 14 — how did that happen? How was your experience? Do you think it fit well in this context? Since every artist had lucky penny shop maker bot interview questions produce two works for two cities Athens and Kassel, I was asked come up with a new work.

At the time, I was at rough cut stage of the Invisible Hands. They saw it and included it. If I can think about it from the outside, since some time has passed, I think it fit quite well in this particular and most musical of all Documentas. Dj Krush on Power Rangers, Godzilla and the very special sound of japanese instruments. With her sets and productions Helena Hauff breaks open dark, unfathomable, often even gloomy sound w…. The legend is on the s…. On 30th of June Fugazi put on a remarkable show at the Hallschlag in Stuttgart Artwork by Abel Auer, Design by Bend.

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Facebook has become so powerful that, for some people, having a Facebook account is more important than a driver's license. But when you lose that account, there's no recourse. Lily Padula for NPR hide caption. This story contains references to child pornography that some readers may find disturbing.

It's tempting to think of Facebook as pure entertainment — the dumb game you play when your boss looks away, or your date goes to the bathroom. But that's underestimating how powerful the Facebook empire has become.

For some, the app is more important than a driver's license. People need it to contact colleagues, or even start and build businesses.

It's hard to know how many people rely on Facebook for work, but NPR interviewed dozens who do. Their stories reveal an unsettling fact: This Silicon Valley giant — one that has woven its way into the lives of more than a billion people — can be a black box, silent about how it makes decisions.

While some have been frustrated about censorship , for a number of users, there is another concern — livelihood.

Users started setting up offices in the park, using the roads to travel, treating it like a public utility. But legally, it's private. So when Facebook shuts off the road that goes to your shop, or puts in a new toll, he says, "That's it, you're done.

Two very different people — one is a meme-maker in Florida, the other an investigative journalist from Zimbabwe — got stopped in their tracks as they were doing their work on Facebook, because of the company's decisions and refusal to talk, human-to-human. That caused them tangible harm. Their stories illustrate how much Facebook controls people's access to the online world, and how opaque the company is about this power. Tim Lawler considers himself a regular American. He doesn't have a computer science degree from Stanford, yet he managed to make a six-figure salary on Facebook.

His job is something you've likely never heard of before: He makes and shares memes — those dumb, funny pictures you see all over the Internet — for money. Lawler previously worked as a manager for Harley-Davidson, but he lost his job when his store got bought out. He was 40, a tough age to make a career change. He first got on Facebook just for fun. He had a regular account. Then one day he decided to try out a special feature — to make something called, simply, a " page.

It takes just a few seconds. Lawler made one in honor of a personal passion: Turns out, it was a stroke of brilliance. Lawler built a base of , fans — fellow skull-lovers.

And then he started making more pages for more passions, amassing about 4 million "likes" total. By comparison, NPR's Facebook page has 5.

So Lawler is a serious one-man shop. Names of individuals have been obscured to protect their privacy. Courtesy of Tim Lawler hide caption. His most popular page was called "Unlawful Humor" — an edgy title, but with PG content. One day, a Facebook friend told him she was making money off one of her pages, and he should get in on the business. Here's how the money part works: Just like Google and Facebook get paid to post advertisements in your search and your news feed , Lawler gets paid to posts ads too — in his Facebook page — by a third party, an entity known as an "affiliate link" company.

In the complex world of online advertising, these companies are middlemen between big brands like Home Depot and publishers. It's a standard practice for businesses on Facebook to post these advertising links. He'll share a link — it could be for a juice company or a news site — and every time a fan clicks on that link, he gets less than a penny. But the money adds up. He showed NPR proof of his earnings. Before it became lucrative, Lawler felt he had a knack for this work because he saw celebrities sharing his memes.

In , according to a former senior employee, Facebook had only , of these pages. Now, according to two employees, there are roughly 60 million. And they're a vital part of the corporate strategy. To keep growing, Facebook needs people to do more than set up personal accounts. It needs small businesses to set up digital shop.

That brings in more traffic and opens the doors to Facebook mediating and getting a fee for financial transactions. If Facebook is the publisher, the most dedicated page owners are the army of reliable writers. They post multiple times an hour. NPR interviewed dozens of people who operate pages. It's an intriguing world of niche interests. Maureen Camfield, a nurse, started a page for the brokenhearted.

Camfield says there are so many lonely people online who just want a friend, you can build a real business by being kind. She'd sometimes refer a fan on her page to the National Suicide Prevention Lifeline, and get a message in return like: You made a difference.

I wanted to kill myself that night and I didn't. The technology sector gets criticized for killing jobs, for having robots and algorithms replace human labor. These page owners sound like success stories — exactly the people Facebook CEO Mark Zuckerberg would want to brag about. While algorithms take over boring, repetitive work, Facebook is making new work that is creative. This is the very promise of technology. But that is not where this story goes. Lawler and the other page owners listed above got shut down.

Lawler remembers he was sitting on his couch, posting to his Facebook pages. And all of a sudden, he saw a stream of notifications: This page has been unpublished.

And I was like, 'Oh my God. He remembers the date: Around the same time, others tell NPR, they received similar, generic messages. They'd violated Facebook's Terms of Service and their pages are not allowed to operate. The notices did not state what the person did wrong exactly, what the offending posts were, or whether there was a way to rectify the situation to get the page back.

They read like form letters. When Lawler opens his Facebook account, he can still see his old pages the rest of the world can't. It makes him sad "because there's nothing happening over there.

All that's happening is I'm [losing] likes that I built," he says. You could say tough luck. Facebook is a free app. People don't pay, and they're not entitled to use it.

But Lawler and others did pay. Facebook makes money in different ways. The company sticks its own ads on pages — meaning the ads other businesses pay Facebook to place.

Facebook pays NPR and other leading news organizations to produce live video streams. Lawler paid thousands of dollars in ad money. He thought it was a kind of a safety valve. When you advertise, you get a point person, a human at Facebook. Lawler tried reaching that person, and even got a call back — which he missed.

His emails to Facebook went unanswered. In April , Facebook posted a new rule online stating that users have to get special approval from corporate headquarters to post advertisements independently. Furthermore, Lawler got dozens of notices that his account was sending out spam. Facebook declined to discuss the specifics of any case, citing privacy concerns.

Lawler says he didn't know about this new rule Facebook didn't tell him , and the spam notices he got are just little pop-ups that disappear in seconds. If he were in bad standing, he figured, someone in the advertising department would have warned him — and not let him keep paying to promote his page. The difficulty in reaching the company to have access restored doesn't just affect people who created pages.

In Zimbabwe, about 8, miles away from the Florida meme-maker, there is a user named Sandra Nyaira, an investigative journalist. On June 17, , she received three photographs.