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Five years ago this week, just after thousands of garment workers had settled in behind their sewing machines, a poorly built eight-story Bangladeshi factory complex called Rana Plaza buckled and collapsed. More than 1, people, mostly young women, died; 2, were injured. In the years since crack para iobit malware fighter 33 worst disaster ever in the apparel industry, Bangladesh has become a laboratory for testing factory safety.

Western brands and retailers that source low-priced clothing there have inspected 2, active factories and pressured suppliers to make real improvements. Dozens of shoddily built facilities have closed altogether. But the Bangladesh experiment has been only partially successful. The European and American companies limited their reach and left thousands of factories untouched.

The Bangladeshi government, meanwhile, has demonstrated little willingness to change its lackadaisical attitude toward regulation.

Millions of garment workers remain at risk, especially those working for subcontractors—small second- crack para iobit malware fighter 33 third-tier factories often completely unknown to Western brands. The turmoil in the wake of Rana Plaza constituted a public relations crisis for Western brands and retailers.

Some companies have formed a pair of initiatives: These groups inspect factories, oversee remediation of safety problems, and collectively cut off any suppliers that fail to comply. Within their self-assigned jurisdictions — defined as the body of factories with which their members directly do business — the Accord and the Alliance have performed impressively.

The Accord reports that 85 percent of the hazards its inspectors identified have been fixed. These include blocked exits, inadequate sprinkler systems, faulty electrical wiring, and unstable support pillars. The Alliance reports an 88 percent remediation rate. Catastrophic accidents have declined in Bangladesh. Each year from throughthis number has hovered between two and five such accidents, according to data analysis contained in a new report by the NYU Stern Center for Business and Human Rights.

The Accord and Alliance will not continue indefinitely. The Alliance plans to wrap up its work by the end of The Accord will renew its mandate every six months, but only through mid At some point, the factories that the two initiatives have overseen will return to the supervision of the Bangladeshi government, which is notorious for having ignored death traps like Rana Plaza and Tazreen Fashions, where a November fire killed Subcontractors present a big challenge.

No one has an exact count of subcontractors, most of which operate with little or no regulation. While the NYU Stern Center estimates that there may be as many as 3, of these factories, the government denies a subcontracting system even exists. But on a recent fact-finding trip, researchers from the NYU Stern Center visited two subcontracting factories of and workers each. At one, the owner told of receiving a list of fire-safety mandates from a government inspector.

Variations on the model have been used for years by international organisations that convene donor conferences to respond to refugee crises. In the supply-chain context, the goal ought to be protecting workers and spreading the benefits of globalisation more evenly. The task force should be Bangladeshi-led and include Western brands and retailers that have profited from selling Bangladeshi-made clothes.

Western governments also need to step up, recognising that their citizens benefit from the opportunity to buy these clothes at low prices. Traditional international funding agencies crack para iobit malware fighter 33 the World Bank also ought to do much more to protect the workers in this sector. There is a role for private philanthropies, crack para iobit malware fighter 33.

Whatever budget the task force sets for itself, the amount should be understood as paying for the attainment of safety today. Once current gaps have been addressed, responsibility ought to shift to the government of Bangladesh.

The fifth anniversary of Rana Plaza calls for a renewed and collective commitment to a safe and secure garment industry. Your email address will not be published. Written By Paul Barrett crack para iobit malware fighter 33 Apr Paul Barrett 24th Apr More from this author.

Is peace on the horizon? Modi and Xi set laudable objectives but the devil is in the implementation Marriage: A thing of the past? The task force should be Bangladeshi-led and include Western brands and retailers that have profited from selling Bangladeshi-made clothes April 27th, Reply.

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The UH Arts initiative strives to: The initiative encompasses music, visual arts, literary arts, dance, theater, and design programs in the Kathrine G.

Hines College of Architecture. By Sara Tubbs — Fans of Carlos Cruz-Diez, one of the great figures of kinetic-optic art, will have a chance to learn about his iconic works during a special event on Tuesday, May 8 at the University of Houston M. Anderson Library Elizabeth D. By Sara Tubbs — Students in the UH graphic design program along with students from creative writing are reconnecting Houstonians with the past through a public art project that looks towards the future.

Meeting Points on Buffalo Bayou" is a self-guided tour of interactive, text-based installations at 1 p. The shows draw inspiration from historical events such as the Russian Revolution and the creation of the philosophical and cultural movement called Russian Cosmism. McGovern College of the Arts was established in to harness the power of the performing and visual arts entities to ultimately impact our world. The award-winning, internationally-distinguished faculty provides quality instruction to student artists from more than thirty programs of study.

The University of Houston System Public Art Collection seeks to enrich the diverse cultural and intellectual life on the UH campuses and of the greater Houston community by building and maintaining a distinguished art collection of important regional, national, and international artists. The collection is enhanced by cross-disciplinary education and outreach programs. Faculty and students work together in a studio-centric curriculum, supported by a digital fabrication facility.

Open studios seamlessly incorporate coursework into project based learning through material investigations and applied research. Schools School of Art The School of Art offers an atelier environment found in many private art schools with access to the vast resources of a premier research institution. With internationally recognized faculty and alumni, innovative programs, and exceptional resources, the school provides unique and dynamic opportunities for graduate and undergraduate study in art, design, and art history.

The school offers a variety of strong programs leading to the Bachelor and Master of Music degrees, as well as the Doctor of Musical Arts and a non-degree postbaccalaureate Certificate in Music Performance.

Its exhibitions and programs are free and open to the public, create community through dialogue and participation, and inspire an appreciation for the visual arts. The Mitchell Center for the Arts is an alliance among five units at UH and cultivates interdisciplinary collaboration in the performing, visual, and literary arts. The center offers public events, residencies, and courses that fuse artistic disciplines, ignite dialogue, and present new ways of experiencing the arts.

Through workshops, independent studies, and literature courses, CLASS faculty work with students to challenge their understanding of themselves as writers and to deepen and critically reflect on the aesthetic, ethical, and political assumptions behind their writing. Public Art The University of Houston System Public Art Collection seeks to enrich the diverse cultural and intellectual life on the UH campuses and of the greater Houston community by building and maintaining a distinguished art collection of important regional, national, and international artists.

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